During this era, the backline gear was set behind the PA speakers to create the modern audio stage set-up. This changed over the 1970s and 1980s, as PA systems became powerful enough to amplify all of the band's instruments and the vocals. Guitarists used one or two 4x12 cabinets, referred to, respectively, as a half stack or (full) stack.ĭuring the 1960s, the PA speakers and the band's amplification were all set in a line, which conceptually grouped PA and instrument amplification together. A standard cabinet used by bassists during this era was the heavy 8x10 cabinet, which contains eight ten-inch speakers. To achieve venue-filling sound with their instruments, bands from the 1960s typically used large, powerful guitar "stacks" and big speaker enclosures. As a result, the rhythm section musicians playing electric guitar, electric bass and keyboards were expected to produce enough volume to fill the venue using their own instrument amplifiers. As a result, 1960s rock bands typically used the PA system just for the vocals, even if they were playing at a large venue. In rock music's early days in the early 1960s, PA systems were not very loud or powerful. The main speakers facing the audience are sometimes referred to as " front of house speakers". Speakers placed at the front of the stage facing the performers are also known as monitor speakers or "foldback". Such equipment is often rented or leased by the band or their management, or provided by the venue. The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. The backline gear, including an 8x10" bass speaker cabinet, drums, and several powerful guitar amps, can be seen behind the two musicians in the front of the stage. Canadian band Bedouin Soundclash performing.
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